This book plays in a lot of the same thematic territory as a lot of S.A. Cosby's work: a racial-minority underclass dealing with the lingering ongoing effects of being brutalized, vengeance and pain, tradition, criminality. There are real differences, of course, between the Māori and their experiences, and Black Americans and theirs, and those differences are also clear in the reading. *Auē* is in many ways a more heart-breaking novel than what I've read of Cosby's, the non-linearity at play here turns at least part of the story tragic, a future you can't see coming, can't watch, can't look away from. Good, strong, difficult stuff.
Subscribe to:
Post Comments (Atom)
Tell the Machine Goodnight by Katie Williams
This is an interesting little novel, more literary than anything else--at least as I see it--though there's definitely some SF-adjacen...
-
A beautiful novel about life as a mobster (in 1940s Tampa) and all the contradictions and complications of it. Lehane clearly has an ear f...
-
This is early Vachss, all taut and violent, more than a little murky to my mind. It is not good to be a sexual offender in a Vachss novel....
-
Well, this was a bit of a disappointment. Not *horrible*, but a bit bland. and with stakes that in the end seemed abruptly lower--in the s...

No comments:
Post a Comment