The effects of some of the experiences from our trip to various Native American sites last summer--plus the recognition of the human history in the Badlands and the Black Hills, and in Big Bend--along with my relatively recent discovery that modern noir makes my soul sing made me pretty much a target market/audience for this novel: It's a noir, set in Cahokia, in the 1920s! Good thing is, it works; more than that, it's a symphony. The noir stuff works, and all the alternative-history-mongering plays a happy counterpoint; thematic concerns typical to noir (loyalty and its costs, privilege and its power) dance with all sorts of concerns about race and racism and all the nastiness in the heart of America connected to them. Beautiful, smart, honest, and empathetic.
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The Blade Between by Sam J. Miller
Every now and then I end up reading books in short order that make it seem as though I have some sort of theme, or at least comparison/con...
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A beautiful novel about life as a mobster (in 1940s Tampa) and all the contradictions and complications of it. Lehane clearly has an ear f...
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This is early Vachss, all taut and violent, more than a little murky to my mind. It is not good to be a sexual offender in a Vachss novel....
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A beautiful novel of violence, vengeance and pain, set against a backdrop of small-town bigotry. If you see this, or *Razorblade Tears*, t...

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