Um. Well, the book starts--more or less--with a prophecy, that it tells you will come true. Then it spends somewhere over three hundred pages unwinding how the prophecy came true. On the one hand, that's kinda a trope in Fantasy; on the other hand, it's usually weak sauce Fantasy that does it. What it does is it puts a lot of burden on how the author tells the story of the prophecy coming true, and in this case especially the decision to tell something like two hundred fifty years in just over three hundred pages makes it feel like a surface-level skim while sucking most of the narrative tension out. There are moments of charm, of beauty, of ... well, if not moments of truth, then moments where Rushdie's messages ring loud and clear; those moments are scarce and scattered, though, and subsumed in the rapid flow.
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The Last Dead Girl by Harry Dolan
After the DNF last night, I grabbed a book by an author I've enjoyed in the past, and ... oh, boy, this is a really good thriller/crim...

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A beautiful novel of violence, vengeance and pain, set against a backdrop of small-town bigotry. If you see this, or *Razorblade Tears*, t...
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A grim and gritty novel, bristling with menace, stuffed to the brim with characters it's difficult to like--mainly because t...
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This is early Vachss, all taut and violent, more than a little murky to my mind. It is not good to be a sexual offender in a Vachss novel....
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