Um. Well, the book starts--more or less--with a prophecy, that it tells you will come true. Then it spends somewhere over three hundred pages unwinding how the prophecy came true. On the one hand, that's kinda a trope in Fantasy; on the other hand, it's usually weak sauce Fantasy that does it. What it does is it puts a lot of burden on how the author tells the story of the prophecy coming true, and in this case especially the decision to tell something like two hundred fifty years in just over three hundred pages makes it feel like a surface-level skim while sucking most of the narrative tension out. There are moments of charm, of beauty, of ... well, if not moments of truth, then moments where Rushdie's messages ring loud and clear; those moments are scarce and scattered, though, and subsumed in the rapid flow.
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Burned by Edward Humes
Last trip to the library, I grabbed a handful of nonfiction. This is reported narrative nonfiction about an arson case that at least would...
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A beautiful novel about life as a mobster (in 1940s Tampa) and all the contradictions and complications of it. Lehane clearly has an ear f...
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A beautiful novel of violence, vengeance and pain, set against a backdrop of small-town bigotry. If you see this, or *Razorblade Tears*, t...
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This is early Vachss, all taut and violent, more than a little murky to my mind. It is not good to be a sexual offender in a Vachss novel....

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