Well, here it is, a classic of postmodern fiction, in a special twenty-fifth anniversary edition, complete with an over-enthusiastic (if not overwritten) introduction. Well, it's an interesting read--more coherent than I was really expecting, if I'm honest--but the sharp wit and turns of phrase kinda disappear about a third of the way through, when something like a plot, or a story, or at least things happening, start to emerge: at that point it turns out that there's not much substance beneath that surface wit. It's pretty clear there are things the novel really wants to say, about consumerism, about fear of death, about media, about government and industry and pollution; and it's clear why some people think it's prescient, but especially toward the end of the novel there doesn't seem to be much signal in the noise.
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Last Exit by Max Gladstone
This is a fantasy novel that has, that I can see, bits of stuff like Zelazny's Amber books and King and Straub's The Talisman (a...
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A beautiful novel about life as a mobster (in 1940s Tampa) and all the contradictions and complications of it. Lehane clearly has an ear f...
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Well, this was a bit of a disappointment. Not *horrible*, but a bit bland. and with stakes that in the end seemed abruptly lower--in the s...
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This is an interesting and very amusing book. Not goofy-funny like Christopher Moore or Terry Pratchett, but still soaked in humor. One of...

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