Well, here it is, a classic of postmodern fiction, in a special twenty-fifth anniversary edition, complete with an over-enthusiastic (if not overwritten) introduction. Well, it's an interesting read--more coherent than I was really expecting, if I'm honest--but the sharp wit and turns of phrase kinda disappear about a third of the way through, when something like a plot, or a story, or at least things happening, start to emerge: at that point it turns out that there's not much substance beneath that surface wit. It's pretty clear there are things the novel really wants to say, about consumerism, about fear of death, about media, about government and industry and pollution; and it's clear why some people think it's prescient, but especially toward the end of the novel there doesn't seem to be much signal in the noise.
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Stiletto by Daniel O'Malley
This is another spies-in-a-magic-world novel, a sequel to *The Rook.* It's laden with startlingly funny turns of phrase, and the chara...

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Oh, gawds, this novel starts as a bit of a mess and wraps up like someone who read too much Naturalistic fiction and decided to go with no...
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This is a surprisingly good thrillerish crime novel--there are elements of twisty whodunit mystery at play, and interesting layers of inno...
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I read this in a coffee shop this afternoon. Like so many other people I owe bigolas dickolas wolfwood a deep debt of gratitude, this book...
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