So, Lansdale's a fricking legend, and novels like this demonstrate why. On some level it's your basic small-town/rural crime novel, with POV characters who are kinda sorta at least vaguely connected to people with some amount of authority--somewhere between undeputized cops and unlicensed PIs--with grit and crime and vague twists and (because it's a novel in a series) callbacks to previous adventures and new characters arriving. Lansdale's writing though, his turns of phrase and his ear for dialogue, as well as his sense of place and people, elevate what is arguably a pretty formulaic story. Witty and serious in turns, as needed, well-paced, gritty and bloody and sorta hopeful-ish, as much about the tight connections between the major characters as about any other elements.
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Last Exit by Max Gladstone
This is a fantasy novel that has, that I can see, bits of stuff like Zelazny's Amber books and King and Straub's The Talisman (a...
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A beautiful novel about life as a mobster (in 1940s Tampa) and all the contradictions and complications of it. Lehane clearly has an ear f...
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Well, this was a bit of a disappointment. Not *horrible*, but a bit bland. and with stakes that in the end seemed abruptly lower--in the s...
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This is an interesting and very amusing book. Not goofy-funny like Christopher Moore or Terry Pratchett, but still soaked in humor. One of...

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