This novel is set around the same time-frame as last night's read--sometime in the late 1970s--but it does a much better job capturing the hopelessness and existential hangover lots of people were feeling in the reeking wake of the 1960s; the sense that all the protest and violence had been pointless, that all that was left was damage without chance of rebirth. It's also about a crime, like last night's novel--a kidnapping instead of a murder or three, carried out as part of the last gasp of the putatively revolutionary movements instead of as some culmination of criminality. It's a pretty serious novel--there aren't much in the way of laughs, here, in spite of a literal comedian being one of the main characters, but it manages not to be a slog even though it's not much shorter than last night's novel. Unlike last night's novel, this novel is actually good: Westlake had reasons not to publish it in his lifetime, including possibly forgetting it existed (after not wanting to publish it because it was too much like another famous piece of fiction) but I don't think he needed to be ashamed of it.
Subscribe to:
Post Comments (Atom)
Holy Men of the Electromagnetic Age by Raphael Cormack
Started this little book in a coffee shop this morning, finished it this evening. It's a weird book, there's a veneer of scholarsh...

-
A beautiful novel of violence, vengeance and pain, set against a backdrop of small-town bigotry. If you see this, or *Razorblade Tears*, t...
-
A grim and gritty novel, bristling with menace, stuffed to the brim with characters it's difficult to like--mainly because t...
-
A neat little Horror novel (big shock on the genre, there, I'm sure) that plays some interesting games with PTSD and identity, with ma...
No comments:
Post a Comment