I grabbed this because I'd liked something else by the author a few weeks ago, and this novel ... turned out to be a well-written and complex--without being stupidly overcomplicated, without deploying pointless "twists"--novel. It switches out POV some on a chapter-by-chapter basis, but the two mains are the protagonist and the antagonist: This turns out to be a solid narrative choice, the antagonist is warped but at least mostly trying to do and be the best he can, and in some ways the former-police protagonist is probably a greater social disruptor than the serial killer. At least, he's arguably about as warped in extent if not in direction. Well-written, very believable characters, tons of like dramatic suspense, including the possibility the protagonist will die, or maybe turn out not to be as good a person as he wants. And a denouement that is kinda beautiful in its ambiguity.
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The Fox by Frederick Forsyth
I've read a handful of Forsyth's novels, some from the 1960s, and it's nice to find some of his later work. This feels a bit s...

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A beautiful novel about life as a mobster (in 1940s Tampa) and all the contradictions and complications of it. Lehane clearly has an ear f...
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A beautiful novel of violence, vengeance and pain, set against a backdrop of small-town bigotry. If you see this, or *Razorblade Tears*, t...
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This is early Vachss, all taut and violent, more than a little murky to my mind. It is not good to be a sexual offender in a Vachss novel....
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