This is just over 300 pages of a couple-three naifs (depending on how you count, one of which is at best skittering on the edges of plausibility) mostly failing to have things go well with/for them. Apparently Studio-era Hollywood was a pretty crap place. Also the Roman Empire. Who knew? One of the bad endings was clear and inevitable to anyone coming into the book knowing who Salome was; the other was at least obvious as like the shape under the blankets within the first 100 pages. There's still some tension in watching things unravel, but it's not a very pleasant read, in spite of the occasional charming turn of phrase.
Subscribe to:
Post Comments (Atom)
The Fox by Frederick Forsyth
I've read a handful of Forsyth's novels, some from the 1960s, and it's nice to find some of his later work. This feels a bit s...

-
A beautiful novel about life as a mobster (in 1940s Tampa) and all the contradictions and complications of it. Lehane clearly has an ear f...
-
A beautiful novel of violence, vengeance and pain, set against a backdrop of small-town bigotry. If you see this, or *Razorblade Tears*, t...
-
This is early Vachss, all taut and violent, more than a little murky to my mind. It is not good to be a sexual offender in a Vachss novel....
No comments:
Post a Comment