It's sometimes hard, reading a classic (genre or otherwise) to remember that at some point what that classic did was new and inventive--chances are (especially if the book's nearly a hundred years old) that you're used to seeing it as a trope, something to be riffed on, inverted, subverted. This is a classic, and deservedly so: It's quick and smart and fluctuates between violence and charm. Hammett seems to play a bit closer to whodunit than Chandler, though this book doesn't seem all that carefully plotted--and I kept finding myself wondering how effective the detectives (and other people) in the novel would be if they'd try being sober once in a while.
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Black House by Stephen King and Peter Straub
I hadn't read this since it came out, I didn't remember the writing in it was so fricking beautiful, even as the events spiral dee...
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So, this was a book that I almost stopped reading a couple-three times. It's not *bad*, exactly, but it's a weird dissonant tonal ...
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I dunno. On the one hand there are some interesting ideas in this novel, and Cantero's prose sparkles with wit and joy. On the other h...
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This is an actual Horror novel. Not a big shock, reading the blurbs, but the jacket text makes it seem vaguely Mystery/Technothriller-ish, a...

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