It's sometimes hard, reading a classic (genre or otherwise) to remember that at some point what that classic did was new and inventive--chances are (especially if the book's nearly a hundred years old) that you're used to seeing it as a trope, something to be riffed on, inverted, subverted. This is a classic, and deservedly so: It's quick and smart and fluctuates between violence and charm. Hammett seems to play a bit closer to whodunit than Chandler, though this book doesn't seem all that carefully plotted--and I kept finding myself wondering how effective the detectives (and other people) in the novel would be if they'd try being sober once in a while.
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The High Window by Raymond Chandler
It's always a pleasure to read a Chandler that's new to me, and this was new to me. It has all of Chandler's typical strengths...
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A beautiful novel about life as a mobster (in 1940s Tampa) and all the contradictions and complications of it. Lehane clearly has an ear f...
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Well, this was a bit of a disappointment. Not *horrible*, but a bit bland. and with stakes that in the end seemed abruptly lower--in the s...
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This is a novel about people who are broken and not yet stronger at the broken places, though at least the two POVs you can see how and wher...

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