This was a hard book to really get into, in the sense that I kept almost putting it down in the first half-ish--the characters weren't working for me and what was going on wasn't, either--but it came together, eventually. The characters started feeling as though they were behaving like people, and what was going on clarified, the stakes were revealed and named. In the Afterword, Wendig talks about the difficulties he had writing this novel, and all the drafts that might still be buried in it: That might be part of at least where the issues I had to start with came from.
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Memorials by Richard Chizmar
I grabbed this from the library because Chizmar's one of the people King's done some cowriting with recently, though I haven't...

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This is early Vachss, all taut and violent, more than a little murky to my mind. It is not good to be a sexual offender in a Vachss novel....
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A beautiful novel about life as a mobster (in 1940s Tampa) and all the contradictions and complications of it. Lehane clearly has an ear f...
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A beautiful novel of violence, vengeance and pain, set against a backdrop of small-town bigotry. If you see this, or *Razorblade Tears*, t...
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