Based on everything on the cover--art, blurbs, jacket-flap summary--this novel looks for all the world like a Horror novel, and it sorta kinda plays at being one, sometimes. It's not. It's a novel about crime, and there's a little tension in it, and a twist or three (mostly crap, just total rugpulls with no textual clues) but it mostly just kinda trundles along. The big weirdness I noticed is that though the voice is clearly and distinctly Brit--especially in some moments of dialogue--this version/edition at least is typeset so as to be more familiar to Americans (spelling and punctuation); what's weird is that there's nothing about any of the places in it to put it anywhere, either American or English--there's nothing remarkable enough about the setting to keep it from being wherever the reader imagines it to be. Which kinda goes with the rest of the novel, really, there's not much distinctive about the characters or anything else in the story.
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The Last Dead Girl by Harry Dolan
After the DNF last night, I grabbed a book by an author I've enjoyed in the past, and ... oh, boy, this is a really good thriller/crim...

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A beautiful novel of violence, vengeance and pain, set against a backdrop of small-town bigotry. If you see this, or *Razorblade Tears*, t...
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A grim and gritty novel, bristling with menace, stuffed to the brim with characters it's difficult to like--mainly because t...
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This is early Vachss, all taut and violent, more than a little murky to my mind. It is not good to be a sexual offender in a Vachss novel....
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