Based on everything on the cover--art, blurbs, jacket-flap summary--this novel looks for all the world like a Horror novel, and it sorta kinda plays at being one, sometimes. It's not. It's a novel about crime, and there's a little tension in it, and a twist or three (mostly crap, just total rugpulls with no textual clues) but it mostly just kinda trundles along. The big weirdness I noticed is that though the voice is clearly and distinctly Brit--especially in some moments of dialogue--this version/edition at least is typeset so as to be more familiar to Americans (spelling and punctuation); what's weird is that there's nothing about any of the places in it to put it anywhere, either American or English--there's nothing remarkable enough about the setting to keep it from being wherever the reader imagines it to be. Which kinda goes with the rest of the novel, really, there's not much distinctive about the characters or anything else in the story.
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American Rust by Philpp Meyer
This was a really blunt and kinda obvious novel, all about Rust Belt despair and depression and all the other bad things that were coming ...
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A beautiful novel about life as a mobster (in 1940s Tampa) and all the contradictions and complications of it. Lehane clearly has an ear f...
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This is early Vachss, all taut and violent, more than a little murky to my mind. It is not good to be a sexual offender in a Vachss novel....
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A beautiful novel of violence, vengeance and pain, set against a backdrop of small-town bigotry. If you see this, or *Razorblade Tears*, t...

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