I really wanted to like this novel--I've heard lots of good things about the Sandman Slim books--but this was not very good. It took like forever to get itself set up, then took its sweet time getting moving; and the putative protagonist took until the last quarter of the book, and maybe well into that, before he did anything for himself, for his own reasons, as something other than a reaction to someone else doing or saying a thing. Also, the weird fictional German dieselpunk city never really coalesced for me as a setting, and the attempts to convey Weimar Germany likewise failed to land. I'm sure Kadrey had things he was trying to say, parallels he wanted to make between the rise of Nazi Germany and current politics, but honestly read something recent by Lebuskes and get the same subtext, mostly, in a better novel.
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The Fox by Frederick Forsyth
I've read a handful of Forsyth's novels, some from the 1960s, and it's nice to find some of his later work. This feels a bit s...

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A beautiful novel about life as a mobster (in 1940s Tampa) and all the contradictions and complications of it. Lehane clearly has an ear f...
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A beautiful novel of violence, vengeance and pain, set against a backdrop of small-town bigotry. If you see this, or *Razorblade Tears*, t...
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This is early Vachss, all taut and violent, more than a little murky to my mind. It is not good to be a sexual offender in a Vachss novel....
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