There's a blurb near the top there that calls this "a perfect nightmare of a novel," and that's not wrong. There's a distinct nightmarish quality to the prose and the story, even the bits that are closest to plausible--maybe especially those: the kidnapped girl, twelve years later, is somewhere between a meme and a trope, probably not quite as fresh as back in the 2010s, but still there in our hearts beating to the pulse of true crime podcasts. The supernatural in the novel is overt and shocking and it seems fair to describe it as almost Lovecraftian in its alienness, its inhumanity; it comes and goes according to its own reasons and motivations, and there's nothing the people in the novel can do about it but run away from it. It's never explained in any concrete way, and I'm absolutely OK with this. The prose drills deep into the mind of the protagonist and takes the novel some surprisingly psychological places. The ending is about as upbeat as it could plausibly be, which isn't all that upbeat, but it works. Very good, indeed.
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The Fox by Frederick Forsyth
I've read a handful of Forsyth's novels, some from the 1960s, and it's nice to find some of his later work. This feels a bit s...

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A beautiful novel about life as a mobster (in 1940s Tampa) and all the contradictions and complications of it. Lehane clearly has an ear f...
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A beautiful novel of violence, vengeance and pain, set against a backdrop of small-town bigotry. If you see this, or *Razorblade Tears*, t...
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This is early Vachss, all taut and violent, more than a little murky to my mind. It is not good to be a sexual offender in a Vachss novel....
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