This novel reminds me of The Serialist by David Gordon: It's a knowing take on serial killer fiction--especially slasher movies--that tangles and twists and loops. The difference, of course, is that Gordon was setting out on some level to take the piss out of all the tropes, and clearly didn't take any of it all that seriously (while still taking the novel seriously) and wrote with deftness and skill; Sager seems to take all the tropes seriously as hell, writes like a bison that's just run off a cliff, and has written a novel it's impossible to take seriously. The fact I at least flashed on who the killer was about halfway through might be evidence of that authorial clumsiness, evidence of authorial fair play, or evidence that I've read too much crime fiction and horror (of which this novel is closer to the former than the latter).
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Black-Eyed Susans by Julia Heaberlin
So I read another novel by Ms. Heaberlin and it was pretty good, so I grabbed this one while I was at the library, and it's also prett...
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A beautiful novel about life as a mobster (in 1940s Tampa) and all the contradictions and complications of it. Lehane clearly has an ear f...
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This is early Vachss, all taut and violent, more than a little murky to my mind. It is not good to be a sexual offender in a Vachss novel....
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A beautiful novel of violence, vengeance and pain, set against a backdrop of small-town bigotry. If you see this, or *Razorblade Tears*, t...

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