Hey, I read this little book in a coffeeshop this noon-ish. I can sort of see why someone might want to make a movie about it, and I can see why that movie might ... fail to find an audience. It might seem as though the novel's about all this weird stuff that's happening, but the authorial voice--that removed, aloof first-person POV, where it's hard to care about the narrator or the events of the novel because it doesn't seem as though the narrator does--that's the single creepiest thing about the novel, really. The events barely register, muted as they are by the deadened narration.
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The Last Dead Girl by Harry Dolan
After the DNF last night, I grabbed a book by an author I've enjoyed in the past, and ... oh, boy, this is a really good thriller/crim...

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A beautiful novel of violence, vengeance and pain, set against a backdrop of small-town bigotry. If you see this, or *Razorblade Tears*, t...
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A grim and gritty novel, bristling with menace, stuffed to the brim with characters it's difficult to like--mainly because t...
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This is early Vachss, all taut and violent, more than a little murky to my mind. It is not good to be a sexual offender in a Vachss novel....
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