Apparently this novel gets assigned to middle-school students; the only really obvious reason for that is that the main character is about middle-school-age. There's no other good reason I see to assign it to them, or really to anyone else--though of course there's nothing wrong with anyone reading it if they want. I got kinda tired pretty quickly of the affected, mannered narration--the premise that it's being narrated by Death (or maybe the Angel of Death) didn't strike me as being worth the mandatory level of remove, nor did the flickers of nonlinearity do anything for me but deaden the emotional impacts I have to expect it was supposed to be magnifying. It's kinda a shame, really, because many of the elements of the story itself seem as though they could have been at least a pretty good novel (if admittedly a pretty standard Holocaust story). Of course, J. Random Tween likely doesn't know the tropes at play, here, and might take a hard shot in the feels.
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Last Exit by Max Gladstone
This is a fantasy novel that has, that I can see, bits of stuff like Zelazny's Amber books and King and Straub's The Talisman (a...
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A beautiful novel about life as a mobster (in 1940s Tampa) and all the contradictions and complications of it. Lehane clearly has an ear f...
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Well, this was a bit of a disappointment. Not *horrible*, but a bit bland. and with stakes that in the end seemed abruptly lower--in the s...
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This is an interesting and very amusing book. Not goofy-funny like Christopher Moore or Terry Pratchett, but still soaked in humor. One of...

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