This not so much a sequel to Secret Identity as a follow-up: While there are come connections, there aren't a lot of major characters in common. The story focuses much less on the dying industry in the dying city (comics in NYC in 1975) and leans much more toward telling the story of people working out how to reconnect with a past self, for what are mostly good reasons. It's non-linear as hell, happening in mostly two timelines with smatterings of others, but everything is clear--even/especially as it becomes obvious there are tragedies in it that have approximately nothing to do with comic books. There's also a wide bold streak of art-vs-commerce stuff happening, here, complete with a strong statement about LLMs and suchlike and what they create and whom they screw. This is less of a mystery, structurally, but it might be a better novel than its precursor, for all-a-that.
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The Boxcar Librarian by Brianna Labuskes
This is another very good novel by Ms. Labuskes, a story that gets kinda complicated but resolves nicely; her habit of writing three timel...
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A beautiful novel about life as a mobster (in 1940s Tampa) and all the contradictions and complications of it. Lehane clearly has an ear f...
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This is a deeply romantic series of adventures in the pursuit of solving a mystery. There are references to Doyle, it's possible the aut...
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This is an interesting and very amusing book. Not goofy-funny like Christopher Moore or Terry Pratchett, but still soaked in humor. One of...

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